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	<title>Faris Dajani</title>
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	<link>https://farisdajani.com/</link>
	<description>Multidisciplinary designer and occasional writer with interests spanning digital art, poster design, web design (UX/UI) and motion graphics. Based in Amman, Jordan.</description>
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		<title>Forever Yellow</title>
		<link>https://farisdajani.com/foreveryellow/</link>
		
		<dc:creator><![CDATA[Faris Dajani]]></dc:creator>
		<pubDate>Sun, 28 Aug 2022 16:11:20 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://farisdajani.com/?p=2394</guid>

					<description><![CDATA[<p>Faris Dajani &#038; Tamara Nassar A gust of wind was hovering above the vista, fresh and brimming with sin. With hesitancy in its whistle, it alone recalled what had happened here. Lifting the stench of the dead over the vestiges – now drab and devoid of colour and form – chemtrails incongruously contoured the horizon. [&#8230;]</p>
<p>The post <a href="https://farisdajani.com/foreveryellow/">Forever Yellow</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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					<h2 class="elementor-heading-title elementor-size-default">Faris Dajani &amp; Tamara Nassar</h2>				</div>
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<p>A gust of wind was hovering above the vista, fresh and brimming with sin.<br /><br />With hesitancy in its whistle, it alone recalled what had happened here. Lifting the stench of the dead over the vestiges – now drab and devoid of colour and form – chemtrails incongruously contoured the horizon. Below was muck and sepia and noise.<br /><br />The idle oil well was a stubborn figure defying the dejected scene. The sad erection of a humiliated landscape.<br /><br />Everyday, the cockroaches in these parts were treated to a desolate medley – tired sirens, dense air that crackled off of rocks with an acoustic hiss, and when all was still, the sound of the well rusted in the distance, making no secret of its age.<br /><br />That day, however, the ensemble was led with fiery cadence by steel-toed boots scorching through glass.<br /><br />Three white hoods trudged through a collage of needles and plastic debris, appearing from above as synchronised sailboats cutting through an ocean of asphalt. The fumes arrived months ago and bred pitiless ash. Only now could hazmat suits ward off their potency.<br /><br />The rescue mission was about to come into contact with its objective. A yellow presence had been observed from the gaping eyes of desire above, protruding in its bloom among the waste. Unaware of the absurdity of her presence and the grim gaze that possessed it, she was only moved by the dust-laden winds that ruffled her petals westward. Piety on piety. Slender and young. How can the eyes demand more beauty from beauty? She was impossible to miss, jutting out like a cricket in a bowl of yoghurt.<br /><br />Five gloved fingers coiled around her neck with such grace. A specimen of celestial perfection could not be afforded the mercy of mortality. The wound incised before the pluck, a holy slit. She had to be executed to be apotheosized.<br /><br />It was months and miles away, in the vignettes of a marble hall adorned with ornate hoods, that desire was again satiated.<br /><br />A carnal dance: Japanese screens caress Corinthian columns. Balloons veil an elevated jar, gently pecking its lime green glass with every bob and sway. Garish whiteness traces the curves and peaks of every item on display. A proud archway spreads itself open into the hall, with a placard clumsily covering its groyne that reads, “Botanical Heritage.”<br /><br />Below the mensch pace to and fro. Heads looking groundwards, muttering sweet nothings to virtual somethings.<br /><br />The balloons are jerked away. A mother pulls at her son’s hand to move him along. Behind the green glass sits a perfect specimen.<br /><br />Her amber crown, brighter and yellower than virtue. All throat and bristle and fluff. Perfumed with glycerin and powdered with silica, she stands expectant behind her window. Stolid and stout.<br /><br />The patrons rush by, or are rushed, the same difference; to her, the same promise of gift. They offer her no more than a sidelong glance.</p>
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		<p>The post <a href="https://farisdajani.com/foreveryellow/">Forever Yellow</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">2394</post-id>	</item>
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		<title>Pearl Mountains</title>
		<link>https://farisdajani.com/pearlmountains/</link>
		
		<dc:creator><![CDATA[Faris Dajani]]></dc:creator>
		<pubDate>Wed, 16 Feb 2022 11:15:43 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://farisdajani.com/?p=2494</guid>

					<description><![CDATA[<p>For the first time, that ever-familiar snarl seemed to visibly quiver. Perhaps it always had, he never before dared to look it in the teeth.  Its menace had waned over time &#8211; he caught glimpses of it on occasion &#8211; but to examine it more intently meant risking being completely swallowed.  His reflection peered back [&#8230;]</p>
<p>The post <a href="https://farisdajani.com/pearlmountains/">Pearl Mountains</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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<p>For the first time, that ever-familiar snarl seemed to visibly quiver. Perhaps it always had, he never before dared to look it in the teeth.</p>
<p> Its menace had waned over time &#8211; he caught glimpses of it on occasion &#8211; but to examine it more intently meant risking being completely swallowed. </p>
<p>His reflection peered back at him across pearl mountains and flesh valleys, it was too late to look away now, he had to reclaim his essence.</p>
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		<p>The post <a href="https://farisdajani.com/pearlmountains/">Pearl Mountains</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">2494</post-id>	</item>
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		<title>On Generative Music</title>
		<link>https://farisdajani.com/ongenerativemusic/</link>
		
		<dc:creator><![CDATA[Faris Dajani]]></dc:creator>
		<pubDate>Wed, 20 Oct 2021 11:28:22 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://farisdajani.com/?p=2508</guid>

					<description><![CDATA[<p>(&#8230;) At the heart of generative music lies the theoretical cybernetic Black Box: an apparatus encoded with processes that are indeterminate, but not random. The Black Box’s processes become off-limits once the process parameters are set and the piece is initiated. In Freudian terms, the Black Box transforms into a partial autonomous object; an undying [&#8230;]</p>
<p>The post <a href="https://farisdajani.com/ongenerativemusic/">On Generative Music</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
]]></description>
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<p>(&#8230;) At the heart of generative music lies the theoretical cybernetic Black Box: an apparatus encoded with processes that are indeterminate, but not random. The Black Box’s processes become off-limits once the process parameters are set and the piece is initiated. In Freudian terms, the Black Box transforms into a partial autonomous object; an undying energy that forces the composer to escape their intentions, diminishing their role as the authority of musical values. This paradigm shift reverses the roles of subject (composer) and object (apparatus), ripping apart the unilateral nature of this typically tyrannical exchange.</p>
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		<p>The post <a href="https://farisdajani.com/ongenerativemusic/">On Generative Music</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">2508</post-id>	</item>
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		<title>Concept for Malakat Records</title>
		<link>https://farisdajani.com/conceptformalakatrecords/</link>
		
		<dc:creator><![CDATA[Faris Dajani]]></dc:creator>
		<pubDate>Wed, 01 Sep 2021 11:33:23 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://farisdajani.com/?p=2521</guid>

					<description><![CDATA[<p>The Story Arch — A smith wields a hammer and strikes a sword to strengthen it. With every blow the iron molecules are sent into disarray and rearranged. With enough blows and iterations, they discover and organize themselves into more robust molecular structures. This process is not informed by a plan but by an expected [&#8230;]</p>
<p>The post <a href="https://farisdajani.com/conceptformalakatrecords/">Concept for Malakat Records</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="2521" class="elementor elementor-2521" data-elementor-post-type="post">
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						<div class="elementor-element elementor-element-2cfa7e8f elementor-widget elementor-widget-text-editor" data-id="2cfa7e8f" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
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<p><copied-from-editor></copied-from-editor></p><div grid-row="" grid-pad="2" grid-gutter="4"><div grid-col="x12" grid-pad="2"><div style="text-align: left;"><span style="color: #1a191b;">The Story Arch — A smith wields a hammer and strikes a sword to strengthen it. With every blow the iron molecules are sent into disarray and rearranged. With enough blows and iterations, they discover and organize themselves into more robust molecular structures. This process is not informed by a plan but by an expected outcome that functions solely due to its dysfunctional nature.<br><br>We see this occurrence repeating itself in music.<br><br>An emotion is struck, but it cannot find the words. The initial impact creates a productive whirlwind that begins to pull and arrange the means to express itself. With every attempt to strike or uproot it it repeats this process, until the thought settles and the emotion is realized.<br><br>And again. The artist wields her weapon of choice in an attempt to rid herself of the self-afflicted symptom. In a sense the artist beats herself to extract and portray the truth; knobs are twisted and turned, the pen frantically jots and scratches, vocal cords are stretched and strained. Iteration after iteration structure emerges, but the scaffolding is always left bare for the world to see, it is never complete.<br><br>The beauty of the resulting phrase lies in the loss experienced along the way. An unattainable mirage of perfection arises between nothing and the incomplete.</span></div></div></div>
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		<p>The post <a href="https://farisdajani.com/conceptformalakatrecords/">Concept for Malakat Records</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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		<title>Press Release for Beaver Sheppard</title>
		<link>https://farisdajani.com/pressreleaseforbeaversheppard/</link>
		
		<dc:creator><![CDATA[Faris Dajani]]></dc:creator>
		<pubDate>Thu, 11 Mar 2021 11:35:37 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://farisdajani.com/?p=2527</guid>

					<description><![CDATA[<p>Downtown by Beaver Shepperd is a distorted memory, a deep-rooted trauma picking up resonance on its journey from the amygdala to the surface. Beaver’s voice stoically bellows from a distant past, successfully maintaining its posture until wailing saxophones and droning guitars permit it no longer. As the drums exit stage so does Beaver’s sanity, triggering [&#8230;]</p>
<p>The post <a href="https://farisdajani.com/pressreleaseforbeaversheppard/">Press Release for Beaver Sheppard</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="2527" class="elementor elementor-2527" data-elementor-post-type="post">
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<div style="text-align: left;"><div grid-row="" grid-pad="2" grid-gutter="4"><div grid-col="x12" grid-pad="2"><span style="color: #1a191b;">Downtown by Beaver Shepperd is a distorted memory, a deep-rooted trauma picking up resonance on its journey from the amygdala to the surface. Beaver’s voice stoically bellows from a distant past, successfully maintaining its posture until wailing saxophones and droning guitars permit it no longer. As the drums exit stage so does Beaver’s sanity, triggering descent into a manic downward spiral.</span></div></div><copied-from-editor></copied-from-editor></div>
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		<p>The post <a href="https://farisdajani.com/pressreleaseforbeaversheppard/">Press Release for Beaver Sheppard</a> appeared first on <a href="https://farisdajani.com">Faris Dajani</a>.</p>
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